Photoshop Painting Catchup #7

The seed for this post was actually a direct request- someone saw my work, and was hoping that if they asked nicely, I might do something for them.

So, of course, I did. (I'm a sucker for good manners on the internet.) This character's name is Settaja, and he has a fairly serious case of orc-related PTSD.

As you can see, something important has happened between the last painting and this. I did two things differently.

First, I allowed myself to have lines this time, but I did them in a very specific way. Using the darkest and lightest colors from the immediate area, I outlined the bright and shadowed sides of forms I wanted to pop out. For the arms, this means a pale pink is on the most brightly lit side, and a dark brown is on the shaded side. I like this technique a lot, and I suspect you will see it again.

Second, I've actually figured out what 'contrast' means in practice. I think somehow trying to make him obviously mentally unbalanced made it easier to have a major range from light to dark.

Other aspects of this painting I want to make note of:

Composition. Again, because of the unbalanced and dangerous nature of the character, I stepped outside of my comfort zone to take a low viewing angle. This also allowed me to have an easy background, and I am pretty much ecstatic that my experimental tree technique turned out so well.

Scars: There are scars all over his forearms from self-harm. Scars are hard– these are too subtle, but they don't look fake or drawn-on, which is a victory.

Border: Technically, this picture didn't need a border. But somehow it looks a lot better with one. I'm going to have to ruminate a while on why that is.